Narrative and Legendary Poems: Barclay of Ury, and Others
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John Greenleaf Whittier >> Narrative and Legendary Poems: Barclay of Ury, and Others
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NARRATIVE AND LEGENDARY
POEMS
BY
JOHN GREENLEAF WHITTIER
CONTENTS:
BARCLAY OF URY
THE ANGELS OF BUENA VISTA
THE LEGEND OF ST MARK
KATHLEEN
THE WELL OF LOCH MAREE
THE CHAPEL OF THE HERMITS
TAULER
THE HERMIT OF THE THEBAID
THE GARRISON OF CAPE ANN
THE GIFT OF TRITEMIUS
SKIPPER IRESON'S RIDE
THE SYCAMORES
THE PIPES AT LUCKNOW
TELLING THE BEES
THE SWAN SONG OF PARSON AVERY
THE DOUBLE-HEADED SNAKE OF NEWBURY
BARCLAY OF URY.
Among the earliest converts to the doctrines of Friends in Scotland was
Barclay of Ury, an old and distinguished soldier, who had fought under
Gustavus Adolphus, in Germany. As a Quaker, he became the object of
persecution and abuse at the hands of the magistrates and the populace.
None bore the indignities of the mob with greater patience and nobleness
of soul than this once proud gentleman and soldier. One of his friends,
on an occasion of uncommon rudeness, lamented that he should be treated
so harshly in his old age who had been so honored before. "I find more
satisfaction," said Barclay, "as well as honor, in being thus insulted
for my religious principles, than when, a few years ago, it was usual
for the magistrates, as I passed the city of Aberdeen, to meet me on the
road and conduct me to public entertainment in their hall, and then
escort me out again, to gain my favor."
Up the streets of Aberdeen,
By the kirk and college green,
Rode the Laird of Ury;
Close behind him, close beside,
Foul of mouth and evil-eyed,
Pressed the mob in fury.
Flouted him the drunken churl,
Jeered at him the serving-girl,
Prompt to please her master;
And the begging carlin, late
Fed and clothed at Ury's gate,
Cursed him as he passed her.
Yet, with calm and stately mien,
Up the streets of Aberdeen
Came he slowly riding;
And, to all he saw and heard,
Answering not with bitter word,
Turning not for chiding.
Came a troop with broadswords swinging,
Bits and bridles sharply ringing,
Loose and free and froward;
Quoth the foremost, "Ride him down!
Push him! prick him! through the town
Drive the Quaker coward!"
But from out the thickening crowd
Cried a sudden voice and loud
"Barclay! Ho! a Barclay!"
And the old man at his side
Saw a comrade, battle tried,
Scarred and sunburned darkly;
Who with ready weapon bare,
Fronting to the troopers there,
Cried aloud: "God save us,
Call ye coward him who stood
Ankle deep in Lutzen's blood,
With the brave Gustavus?"
"Nay, I do not need thy sword,
Comrade mine," said Ury's lord;
"Put it up, I pray thee
Passive to His holy will,
Trust I in my Master still,
Even though He slay me.
"Pledges of thy love and faith,
Proved on many a field of death,
Not by me are needed."
Marvelled much that henchman bold,
That his laird, so stout of old,
Now so meekly pleaded.
"Woe's the day!" he sadly said,
With a slowly shaking head,
And a look of pity;
"Ury's honest lord reviled,
Mock of knave and sport of child,
In his own good city.
"Speak the word, and, master mine,
As we charged on Tilly's[8] line,
And his Walloon lancers,
Smiting through their midst we'll teach
Civil look and decent speech
To these boyish prancers!"
"Marvel not, mine ancient friend,
Like beginning, like the end:"
Quoth the Laird of Ury;
"Is the sinful servant more
Than his gracious Lord who bore
Bonds and stripes in Jewry?
"Give me joy that in His name
I can bear, with patient frame,
All these vain ones offer;
While for them He suffereth long,
Shall I answer wrong with wrong,
Scoffing with the scoffer?
"Happier I, with loss of all,
Hunted, outlawed, held in thrall,
With few friends to greet me,
Than when reeve and squire were seen,
Riding out from Aberdeen,
With bared heads to meet me.
"When each goodwife, o'er and o'er,
Blessed me as I passed her door;
And the snooded daughter,
Through her casement glancing down,
Smiled on him who bore renown
From red fields of slaughter.
"Hard to feel the stranger's scoff,
Hard the old friend's falling off,
Hard to learn forgiving;
But the Lord His own rewards,
And His love with theirs accords,
Warm and fresh and living.
"Through this dark and stormy night
Faith beholds a feeble light
Up the blackness streaking;
Knowing God's own time is best,
In a patient hope I rest
For the full day-breaking!"
So the Laird of Ury said,
Turning slow his horse's head
Towards the Tolbooth prison,
Where, through iron gates, he heard
Poor disciples of the Word
Preach of Christ arisen!
Not in vain, Confessor old,
Unto us the tale is told
Of thy day of trial;
Every age on him who strays
From its broad and beaten ways
Pours its seven-fold vial.
Happy he whose inward ear
Angel comfortings can hear,
O'er the rabble's laughter;
And while Hatred's fagots burn,
Glimpses through the smoke discern
Of the good hereafter.
Knowing this, that never yet
Share of Truth was vainly set
In the world's wide fallow;
After hands shall sow the seed,
After hands from hill and mead
Reap the harvests yellow.
Thus, with somewhat of the Seer,
Must the moral pioneer
From the Future borrow;
Clothe the waste with dreams of grain,
And, on midnight's sky of rain,
Paint the golden morrow!
THE ANGELS OF BUENA VISTA.
A letter-writer from Mexico during the Mexican war, when detailing some
of the incidents at the terrible fight of Buena Vista, mentioned that
Mexican women were seen hovering near the field of death, for the
purpose of giving aid and succor to the wounded. One poor woman was
found surrounded by the maimed and suffering of both armies, ministering
to the wants of Americans as well as Mexicans, with impartial
tenderness.
SPEAK and tell us, our Ximena, looking northward
far away,
O'er the camp of the invaders, o'er the Mexican
array,
Who is losing? who is winning? are they far or
come they near?
Look abroad, and tell us, sister, whither rolls the
storm we hear.
Down the hills of Angostura still the storm of
battle rolls;
Blood is flowing, men are dying; God have mercy
on their souls!
"Who is losing? who is winning?" Over hill
and over plain,
I see but smoke of cannon clouding through the
mountain rain."
Holy Mother! keep our brothers! Look, Ximena,
look once more.
"Still I see the fearful whirlwind rolling darkly
as before,
Bearing on, in strange confusion, friend and foeman,
foot and horse,
Like some wild and troubled torrent sweeping
down its mountain course."
Look forth once more, Ximena! "Ah! the smoke
has rolled away;
And I see the Northern rifles gleaming down the
ranks of gray.
Hark! that sudden blast of bugles! there the troop
of Minon wheels;
There the Northern horses thunder, with the cannon
at their heels.
"Jesu, pity I how it thickens I now retreat and
now advance!
Bight against the blazing cannon shivers Puebla's
charging lance!
Down they go, the brave young riders; horse and
foot together fall;
Like a ploughshare in the fallow, through them
ploughs the Northern ball."
Nearer came the storm and nearer, rolling fast and
frightful on!
Speak, Ximena, speak and tell us, who has lost,
and who has won?
Alas! alas! I know not; friend and foe together
fall,
O'er the dying rush the living: pray, my sisters,
for them all!
"Lo! the wind the smoke is lifting. Blessed
Mother, save my brain!
I can see the wounded crawling slowly out from
heaps of slain.
Now they stagger, blind and bleeding; now they
fall, and strive to rise;
Hasten, sisters, haste and save them, lest they die
before our eyes!
"O my hearts love! O my dear one! lay thy
poor head on my knee;
Dost thou know the lips that kiss thee? Canst
thou hear me? canst thou see?
O my husband, brave and gentle! O my Bernal,
look once more
On the blessed cross before thee! Mercy!
all is o'er!"
Dry thy tears, my poor Ximena; lay thy dear one
down to rest;
Let his hands be meekly folded, lay the cross upon
his breast;
Let his dirge be sung hereafter, and his funeral
masses said;
To-day, thou poor bereaved one, the living ask thy
aid.
Close beside her, faintly moaning, fair and young,
a soldier lay,
Torn with shot and pierced with lances, bleeding
slow his life away;
But, as tenderly before him the lorn Ximena knelt,
She saw the Northern eagle shining on his pistol-
belt.
With a stifled cry of horror straight she turned
away her head;
With a sad and bitter feeling looked she back upon
her dead;
But she heard the youth's low moaning, and his
struggling breath of pain,
And she raised the cooling water to his parching
lips again.
Whispered low the dying soldier, pressed her hand
and faintly smiled;
Was that pitying face his mother's? did she watch
beside her child?
All his stranger words with meaning her woman's
heart supplied;
With her kiss upon his forehead, "Mother!"
murmured he, and died!
"A bitter curse upon them, poor boy, who led thee
forth,
From some gentle, sad-eyed mother, weeping, lonely,
in the North!"
Spake the mournful Mexic woman, as she laid him
with her dead,
And turned to soothe the living, and bind the
wounds which bled.
"Look forth once more, Ximena!" Like a cloud
before the wind
Rolls the battle down the mountains, leaving blood
and death behind;
Ah! they plead in vain for mercy; in the dust the
wounded strive;
"Hide your faces, holy angels! O thou Christ of
God, forgive!"
Sink, O Night, among thy mountains! let the cool,
gray shadows fall;
Dying brothers, fighting demons, drop thy curtain
over all!
Through the thickening winter twilight, wide apart
the battle rolled,
In its sheath the sabre rested, and the cannon's
lips grew cold.
But the noble Mexic women still their holy task
pursued,
Through that long, dark night of sorrow, worn and
faint and lacking food.
Over weak and suffering brothers, with a tender
care they hung,
And the dying foeman blessed them in a strange
and Northern tongue.
Not wholly lost, O Father! is this evil world of
ours;
Upward, through its blood and ashes, spring afresh
the Eden flowers;
From its smoking hell of battle, Love and Pity
send their prayer,
And still thy white-winged angels hover dimly in
our air!
1847.
THE LEGEND OF ST. MARK.
"This legend [to which my attention was called by my friend Charles
Sumner], is the subject of a celebrated picture by Tintoretto, of which
Mr. Rogers possesses the original sketch. The slave lies on the ground,
amid a crowd of spectators, who look on, animated by all the various
emotions of sympathy, rage, terror; a woman, in front, with a child in
her arms, has always been admired for the lifelike vivacity of her
attitude and expression. The executioner holds up the broken implements;
St. Mark, with a headlong movement, seems to rush down from heaven in
haste to save his worshipper. The dramatic grouping in this picture is
wonderful; the coloring, in its gorgeous depth and harmony, is, in Mr.
Rogers's sketch, finer than in the picture."--MRS. JAMESON'S Sacred and
Legendary Art, I. 154.
THE day is closing dark and cold,
With roaring blast and sleety showers;
And through the dusk the lilacs wear
The bloom of snow, instead of flowers.
I turn me from the gloom without,
To ponder o'er a tale of old;
A legend of the age of Faith,
By dreaming monk or abbess told.
On Tintoretto's canvas lives
That fancy of a loving heart,
In graceful lines and shapes of power,
And hues immortal as his art.
In Provence (so the story runs)
There lived a lord, to whom, as slave,
A peasant-boy of tender years
The chance of trade or conquest gave.
Forth-looking from the castle tower,
Beyond the hills with almonds dark,
The straining eye could scarce discern
The chapel of the good St. Mark.
And there, when bitter word or fare
The service of the youth repaid,
By stealth, before that holy shrine,
For grace to bear his wrong, he prayed.
The steed stamped at the castle gate,
The boar-hunt sounded on the hill;
Why stayed the Baron from the chase,
With looks so stern, and words so ill?
"Go, bind yon slave! and let him learn,
By scath of fire and strain of cord,
How ill they speed who give dead saints
The homage due their living lord!"
They bound him on the fearful rack,
When, through the dungeon's vaulted dark,
He saw the light of shining robes,
And knew the face of good St. Mark.
Then sank the iron rack apart,
The cords released their cruel clasp,
The pincers, with their teeth of fire,
Fell broken from the torturer's grasp.
And lo! before the Youth and Saint,
Barred door and wall of stone gave way;
And up from bondage and the night
They passed to freedom and the day!
O dreaming monk! thy tale is true;
O painter! true thy pencil's art;
in tones of hope and prophecy,
Ye whisper to my listening heart!
Unheard no burdened heart's appeal
Moans up to God's inclining ear;
Unheeded by his tender eye,
Falls to the earth no sufferer's tear.
For still the Lord alone is God
The pomp and power of tyrant man
Are scattered at his lightest breath,
Like chaff before the winnower's fan.
Not always shall the slave uplift
His heavy hands to Heaven in vain.
God's angel, like the good St. Mark,
Comes shining down to break his chain!
O weary ones! ye may not see
Your helpers in their downward flight;
Nor hear the sound of silver wings
Slow beating through the hush of night!
But not the less gray Dothan shone,
With sunbright watchers bending low,
That Fear's dim eye beheld alone
The spear-heads of the Syrian foe.
There are, who, like the Seer of old,
Can see the helpers God has sent,
And how life's rugged mountain-side
Is white with many an angel tent!
They hear the heralds whom our Lord
Sends down his pathway to prepare;
And light, from others hidden, shines
On their high place of faith and prayer.
Let such, for earth's despairing ones,
Hopeless, yet longing to be free,
Breathe once again the Prophet's prayer
"Lord, ope their eyes, that they may see!"
1849.
KATHLEEN.
This ballad was originally published in my prose work, Leaves from
Margaret Smith's Journal, as the song of a wandering Milesian
schoolmaster. In the seventeenth century, slavery in the New World was
by no means confined to the natives of Africa. Political offenders and
criminals were transported by the British government to the plantations
of Barbadoes and Virginia, where they were sold like cattle in the
market. Kidnapping of free and innocent white persons was practised to a
considerable extent in the seaports of the United Kingdom.
O NORAH, lay your basket down,
And rest your weary hand,
And come and hear me sing a song
Of our old Ireland.
There was a lord of Galaway,
A mighty lord was he;
And he did wed a second wife,
A maid of low degree.
But he was old, and she was young,
And so, in evil spite,
She baked the black bread for his kin,
And fed her own with white.
She whipped the maids and starved the kern,
And drove away the poor;
"Ah, woe is me!" the old lord said,
"I rue my bargain sore!"
This lord he had a daughter fair,
Beloved of old and young,
And nightly round the shealing-fires
Of her the gleeman sung.
"As sweet and good is young Kathleen
As Eve before her fall;"
So sang the harper at the fair,
So harped he in the hall.
"Oh, come to me, my daughter dear!
Come sit upon my knee,
For looking in your face, Kathleen,
Your mother's own I see!"
He smoothed and smoothed her hair away,
He kissed her forehead fair;
"It is my darling Mary's brow,
It is my darling's hair!"
Oh, then spake up the angry dame,
"Get up, get up," quoth she,
"I'll sell ye over Ireland,
I'll sell ye o'er the sea!"
She clipped her glossy hair away,
That none her rank might know;
She took away her gown of silk,
And gave her one of tow,
And sent her down to Limerick town
And to a seaman sold
This daughter of an Irish lord
For ten good pounds in gold.
The lord he smote upon his breast,
And tore his beard so gray;
But he was old, and she was young,
And so she had her way.
Sure that same night the Banshee howled
To fright the evil dame,
And fairy folks, who loved Kathleen,
With funeral torches came.
She watched them glancing through the trees,
And glimmering down the hill;
They crept before the dead-vault door,
And there they all stood still!
"Get up, old man! the wake-lights shine!"
"Ye murthering witch," quoth he,
"So I'm rid of your tongue, I little care
If they shine for you or me."
"Oh, whoso brings my daughter back,
My gold and land shall have!"
Oh, then spake up his handsome page,
"No gold nor land I crave!
"But give to me your daughter dear,
Give sweet Kathleen to me,
Be she on sea or be she on land,
I'll bring her back to thee."
"My daughter is a lady born,
And you of low degree,
But she shall be your bride the day
You bring her back to me."
He sailed east, he sailed west,
And far and long sailed he,
Until he came to Boston town,
Across the great salt sea.
"Oh, have ye seen the young Kathleen,
The flower of Ireland?
Ye'll know her by her eyes so blue,
And by her snow-white hand!"
Out spake an ancient man, "I know
The maiden whom ye mean;
I bought her of a Limerick man,
And she is called Kathleen.
"No skill hath she in household work,
Her hands are soft and white,
Yet well by loving looks and ways
She doth her cost requite."
So up they walked through Boston town,
And met a maiden fair,
A little basket on her arm
So snowy-white and bare.
"Come hither, child, and say hast thou
This young man ever seen?"
They wept within each other's arms,
The page and young Kathleen.
"Oh give to me this darling child,
And take my purse of gold."
"Nay, not by me," her master said,
"Shall sweet Kathleen be sold.
"We loved her in the place of one
The Lord hath early ta'en;
But, since her heart's in Ireland,
We give her back again!"
Oh, for that same the saints in heaven
For his poor soul shall pray,
And Mary Mother wash with tears
His heresies away.
Sure now they dwell in Ireland;
As you go up Claremore
Ye'll see their castle looking down
The pleasant Galway shore.
And the old lord's wife is dead and gone,
And a happy man is he,
For he sits beside his own Kathleen,
With her darling on his knee.
1849.
THE WELL OF LOCH MAREE
Pennant, in his Voyage to the Hebrides, describes the holy well of Loch
Maree, the waters of which were supposed to effect a miraculous cure of
melancholy, trouble, and insanity.
CALM on the breast of Loch Maree
A little isle reposes;
A shadow woven of the oak
And willow o'er it closes.
Within, a Druid's mound is seen,
Set round with stony warders;
A fountain, gushing through the turf,
Flows o'er its grassy borders.
And whoso bathes therein his brow,
With care or madness burning,
Feels once again his healthful thought
And sense of peace returning.
O restless heart and fevered brain,
Unquiet and unstable,
That holy well of Loch Maree
Is more than idle fable!
Life's changes vex, its discords stun,
Its glaring sunshine blindeth,
And blest is he who on his way
That fount of healing findeth!
The shadows of a humbled will
And contrite heart are o'er it;
Go read its legend, "TRUST IN GOD,"
On Faith's white stones before it.
1850.
THE CHAPEL OF THE HERMITS.
The incident upon which this poem is based is related in a note to
Bernardin Henri Saint Pierre's Etudes de la Nature. "We arrived at the
habitation of the Hermits a little before they sat down to their table,
and while they were still at church. J. J. Rousseau proposed to me to
offer up our devotions. The hermits were reciting the Litanies of
Providence, which are remarkably beautiful. After we had addressed our
prayers to God, and the hermits were proceeding to the refectory,
Rousseau said to me, with his heart overflowing, 'At this moment I
experience what is said in the gospel: Where two or three are gathered
together in my name, there am I in the midst of them. There is here a
feeling of peace and happiness which penetrates the soul.' I said, 'If
Finelon had lived, you would have been a Catholic.' He exclaimed, with
tears in his eyes, 'Oh, if Finelon were alive, I would struggle to get
into his service, even as a lackey!'" In my sketch of Saint Pierre, it
will be seen that I have somewhat antedated the period of his old age.
At that time he was not probably more than fifty. In describing him, I
have by no means exaggerated his own history of his mental condition at
the period of the story. In the fragmentary Sequel to his Studies of
Nature, he thus speaks of himself: "The ingratitude of those of whom I
had deserved kindness, unexpected family misfortunes, the total loss of
my small patrimony through enterprises solely undertaken for the benefit
of my country, the debts under which I lay oppressed, the blasting of
all my hopes,--these combined calamities made dreadful inroads upon my
health and reason. . . . I found it impossible to continue in a room
where there was company, especially if the doors were shut. I could not
even cross an alley in a public garden, if several persons had got
together in it. When alone, my malady subsided. I felt myself likewise
at ease in places where I saw children only. At the sight of any one
walking up to the place where I was, I felt my whole frame agitated, and
retired. I often said to myself, 'My sole study has been to merit well
of mankind; why do I fear them?'"
He attributes his improved health of mind and body to the counsels of
his friend, J. J. Rousseau. "I renounced," says he, "my books. I threw
my eyes upon the works of nature, which spake to all my senses a
language which neither time nor nations have it in their power to alter.
Thenceforth my histories and my journals were the herbage of the fields
and meadows. My thoughts did not go forth painfully after them, as in
the case of human systems; but their thoughts, under a thousand engaging
forms, quietly sought me. In these I studied, without effort, the laws
of that Universal Wisdom which had surrounded me from the cradle, but on
which heretofore I had bestowed little attention."
Speaking of Rousseau, he says: "I derived inexpressible satisfaction
from his society. What I prized still more than his genius was his
probity. He was one of the few literary characters, tried in the furnace
of affliction, to whom you could, with perfect security, confide your
most secret thoughts. . . . Even when he deviated, and became the victim
of himself or of others, he could forget his own misery in devotion to
the welfare of mankind. He was uniformly the advocate of the miserable.
There might be inscribed on his tomb these affecting words from that
Book of which he carried always about him some select passages, during
the last years of his life: 'His sins, which are many, are forgiven, for
he loved much.'"
"I DO believe, and yet, in grief,
I pray for help to unbelief;
For needful strength aside to lay
The daily cumberings of my way.
"I 'm sick at heart of craft and cant,
Sick of the crazed enthusiast's rant,
Profession's smooth hypocrisies,
And creeds of iron, and lives of ease.
"I ponder o'er the sacred word,
I read the record of our Lord;
And, weak and troubled, envy them
Who touched His seamless garment's hem;
"Who saw the tears of love He wept
Above the grave where Lazarus slept;
And heard, amidst the shadows dim
Of Olivet, His evening hymn.
"How blessed the swineherd's low estate,
The beggar crouching at the gate,
The leper loathly and abhorred,
Whose eyes of flesh beheld the Lord!
"O sacred soil His sandals pressed!
Sweet fountains of His noonday rest!
O light and air of Palestine,
Impregnate with His life divine!
"Oh, bear me thither! Let me look
On Siloa's pool, and Kedron's brook;
Kneel at Gethsemane, and by
Gennesaret walk, before I die!
"Methinks this cold and northern night
Would melt before that Orient light;
And, wet by Hermon's dew and rain,
My childhood's faith revive again!"
So spake my friend, one autumn day,
Where the still river slid away
Beneath us, and above the brown
Red curtains of the woods shut down.
Then said I,--for I could not brook
The mute appealing of his look,--
"I, too, am weak, and faith is small,
And blindness happeneth unto all.
"Yet, sometimes glimpses on my sight,
Through present wrong, the eternal right;
And, step by step, since time began,
I see the steady gain of man;
"That all of good the past hath had
Remains to make our own time glad,
Our common daily life divine,
And every land a Palestine.
"Thou weariest of thy present state;
What gain to thee time's holiest date?
The doubter now perchance had been
As High Priest or as Pilate then!
"What thought Chorazin's scribes? What faith
In Him had Nain and Nazareth?
Of the few followers whom He led
One sold Him,--all forsook and fled.
"O friend! we need nor rock nor sand,
Nor storied stream of Morning-Land;
The heavens are glassed in Merrimac,--
What more could Jordan render back?
"We lack but open eye and ear
To find the Orient's marvels here;
The still small voice in autumn's hush,
Yon maple wood the burning bush.
"For still the new transcends the old,
In signs and tokens manifold;
Slaves rise up men; the olive waves,
With roots deep set in battle graves!
"Through the harsh noises of our day
A low, sweet prelude finds its way;
Through clouds of doubt, and creeds of fear,
A light is breaking, calm and clear.