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Ulysses

J >> James Joyce >> Ulysses

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--I think the markets are on a rise, says he, sliding his hand down his
fork.

So begob the citizen claps his paw on his knee and he says:

--Foreign wars is the cause of it.

And says Joe, sticking his thumb in his pocket:

--It's the Russians wish to tyrannise.

--Arrah, give over your bloody codding, Joe, says I. I've a thirst on me I
wouldn't sell for half a crown.

--Give it a name, citizen, says Joe.

--Wine of the country, says he.

--What's yours? says Joe.

--Ditto MacAnaspey, says I.

--Three pints, Terry, says Joe. And how's the old heart, citizen? says he.

--Never better, A CHARA, says he. What Garry? Are we going to win? Eh?

And with that he took the bloody old towser by the scruff of the neck
and, by Jesus, he near throttled him.

The figure seated on a large boulder at the foot of a round tower
was that of a broadshouldered deepchested stronglimbed frankeyed
redhaired freelyfreckled shaggybearded widemouthed largenosed
longheaded deepvoiced barekneed brawnyhanded hairylegged ruddyfaced
sinewyarmed hero. From shoulder to shoulder he measured several ells and
his rocklike mountainous knees were covered, as was likewise the rest of
his body wherever visible, with a strong growth of tawny prickly hair in
hue and toughness similar to the mountain gorse (ULEX EUROPEUS). The
widewinged nostrils, from which bristles of the same tawny hue projected,
were of such capaciousness that within their cavernous obscurity the
fieldlark might easily have lodged her nest. The eyes in which a tear and
a smile strove ever for the mastery were of the dimensions of a goodsized
cauliflower. A powerful current of warm breath issued at regular intervals
from the profound cavity of his mouth while in rhythmic resonance the
loud strong hale reverberations of his formidable heart thundered
rumblingly causing the ground, the summit of the lofty tower and the still
loftier walls of the cave to vibrate and tremble.

He wore a long unsleeved garment of recently flayed oxhide reaching to the
knees in a loose kilt and this was bound about his middle by a girdle of
plaited straw and rushes. Beneath this he wore trews of deerskin, roughly
stitched with gut. His nether extremities were encased in high Balbriggan
buskins dyed in lichen purple, the feet being shod with brogues of salted
cowhide laced with the windpipe of the same beast. From his girdle hung a
row of seastones which jangled at every movement of his portentous frame
and on these were graven with rude yet striking art the tribal images of
many Irish heroes and heroines of antiquity, Cuchulin, Conn of hundred
battles, Niall of nine hostages, Brian of Kincora, the ardri Malachi, Art
MacMurragh, Shane O'Neill, Father John Murphy, Owen Roe, Patrick
Sarsfield, Red Hugh O'Donnell, Red Jim MacDermott, Soggarth Eoghan
O'Growney, Michael Dwyer, Francy Higgins, Henry Joy M'Cracken,
Goliath, Horace Wheatley, Thomas Conneff, Peg Woffington, the Village
Blacksmith, Captain Moonlight, Captain Boycott, Dante Alighieri,
Christopher Columbus, S. Fursa, S. Brendan, Marshal MacMahon,
Charlemagne, Theobald Wolfe Tone, the Mother of the Maccabees, the Last
of the Mohicans, the Rose of Castile, the Man for Galway, The Man that
Broke the Bank at Monte Carlo, The Man in the Gap, The Woman Who
Didn't, Benjamin Franklin, Napoleon Bonaparte, John L. Sullivan,
Cleopatra, Savourneen Deelish, Julius Caesar, Paracelsus, sir Thomas
Lipton, William Tell, Michelangelo Hayes, Muhammad, the Bride of
Lammermoor, Peter the Hermit, Peter the Packer, Dark Rosaleen, Patrick

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