THE ADMIRABLE CRICHTON
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J. M. Barrie >> THE ADMIRABLE CRICHTON
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THE PLAYS OF J. M. BARRIE
THE ADMIRABLE CRICHTON
A COMEDY
ACT I
AT LOAM HOUSE, MAYFAIR
A moment before the curtain rises, the Hon. Ernest Woolley drives up
to the door of Loam House in Mayfair. There is a happy smile on his
pleasant, insignificant face, and this presumably means that he is
thinking of himself. He is too busy over nothing, this man about
town, to be always thinking of himself, but, on the other hand, he
almost never thinks of any other person. Probably Ernest's great
moment is when he wakes of a morning and realises that he really is
Ernest, for we must all wish to be that which is our ideal. We can
conceive him springing out of bed light-heartedly and waiting for
his man to do the rest. He is dressed in excellent taste, with just
the little bit more which shows that he is not without a sense of
humour: the dandiacal are often saved by carrying a smile at the
whole thing in their spats, let us say. Ernest left Cambridge the
other day, a member of The Athenaeum (which he would be sorry to
have you confound with a club in London of the same name). He is a
bachelor, but not of arts, no mean epigrammatist (as you shall see),
and a favourite of the ladies. He is almost a celebrity in
restaurants, where he dines frequently, returning to sup; and during
this last year he has probably paid as much in them for the
privilege of handing his hat to an attendant as the rent of a
working-man's flat. He complains brightly that he is hard up, and
that if somebody or other at Westminster does not look out the
country will go to the dogs. He is no fool. He has the shrewdness to
float with the current because it is a labour-saving process, but he
has sufficient pluck to fight, if fight he must (a brief contest,
for he would soon be toppled over). He has a light nature, which
would enable him to bob up cheerily in new conditions and return
unaltered to the old ones. His selfishness is his most endearing
quality. If he has his way he will spend his life like a cat in
pushing his betters out of the soft places, and until he is old he
will be fondled in the process.
He gives his hat to one footman and his cane to another, and mounts
the great staircase unassisted and undirected. As a nephew of the
house he need show no credentials even to Crichton, who is guarding
a door above.
It would not be good taste to describe Crichton, who is only a
servant; if to the scandal of all good houses he is to stand out as
a figure in the play, he must do it on his own, as they say in the
pantry and the boudoir.
We are not going to help him. We have had misgivings ever since we
found his name in the title, and we shall keep him out of his rights
as long as we can. Even though we softened to him he would not be a
hero in these clothes of servitude; and he loves his clothes. How to
get him out of them? It would require a cataclysm. To be an indoor
servant at all is to Crichton a badge of honour; to be a butler at
thirty is the realisation of his proudest ambitions. He is devotedly
attached to his master, who, in his opinion, has but one fault, he
is not sufficiently contemptuous of his inferiors. We are
immediately to be introduced to this solitary failing of a great
English peer.
This perfect butler, then, opens a door, and ushers Ernest into a
certain room. At the same moment the curtain rises on this room, and
the play begins.
It is one of several reception-rooms in Loam House, not the most
magnificent but quite the softest; and of a warm afternoon all that
those who are anybody crave for is the softest. The larger rooms are
magnificent and bare, carpetless, so that it is an accomplishment to
keep one's feet on them; they are sometimes lent for charitable
purposes; they are also all in use on the night of a dinner-party,
when you may find yourself alone in one, having taken a wrong
turning; or alone, save for two others who are within hailing
distance.
This room, however, is comparatively small and very soft. There are
so many cushions in it that you wonder why, if you are an outsider
and don't know that, it needs six cushions to make one fair head
comfy. The couches themselves are cushions as large as beds, and
there is an art of sinking into them and of waiting to be helped out
of them. There are several famous paintings on the walls, of which
you may say 'Jolly thing that,' without losing caste as knowing too
much; and in cases there are glorious miniatures, but the daughters
of the house cannot tell you of whom; 'there is a catalogue
somewhere.' There are a thousand or so of roses in basins, several
library novels, and a row of weekly illustrated newspapers lying
against each other like fallen soldiers. If any one disturbs this
row Crichton seems to know of it from afar and appears noiselessly
and replaces the wanderer. One thing unexpected in such a room is a
great array of tea things. Ernest spots them with a twinkle, and has
his epigram at once unsheathed. He dallies, however, before
delivering the thrust.
ERNEST. I perceive, from the tea cups, Crichton, that the great
function is to take place here.
CRICHTON (with a respectful sigh). Yes, sir.
ERNEST (chuckling heartlessly). The servants' hall coming up to have
tea in the drawing-room! (With terrible sarcasm.) No wonder you look
happy, Crichton.
CRICHTON (under the knife). No, sir.
ERNEST. Do you know, Crichton, I think that with an effort you might
look even happier. (CRICHTON smiles wanly.) You don't approve of his
lordship's compelling his servants to be his equals--once a month?
CRICHTON. It is not for me, sir, to disapprove of his lordship's
radical views.
ERNEST. Certainly not. And, after all, it is only once a month that
he is affable to you.
CRICHTON. On all other days of the month, sir, his lordship's
treatment of us is everything that could be desired.
ERNEST. (This is the epigram.) Tea cups! Life, Crichton, is like a
cup of tea; the more heartily we drink, the sooner we reach the
dregs.
CRICHTON (obediently). Thank you, sir.
ERNEST (becoming confidential, as we do when we have need of an
ally). Crichton, in case I should be asked to say a few words to
the servants, I have strung together a little speech. (His hand
strays to his pocket.) I was wondering where I should stand.
(He tries various places and postures, and comes to rest leaning
over a high chair, whence, in dumb show, he addresses a gathering.
CRICHTON, with the best intentions, gives him a footstool to stand
on, and departs, happily unconscious that ERNEST in some dudgeon has
kicked the footstool across the room.)
ERNEST (addressing an imaginary audience, and desirous of startling
them at once). Suppose you were all little fishes at the bottom of
the sea--
(He is not quite satisfied with his position, though sure that the
fault must lie with the chair for being too high, not with him for
being too short. CRICHTON'S suggestion was not perhaps a bad one
after all. He lifts the stool, but hastily conceals it behind him on
the entrance of the LADIES CATHERINE and AGATHA, two daughters of
the house. CATHERINE is twenty, and AGATHA two years younger. They
are very fashionable young women indeed, who might wake up for a
dance, but they are very lazy, CATHERINE being two years lazier than
AGATHA.)
ERNEST (uneasily jocular, because he is concealing the footstool).
And how are my little friends to-day?
AGATHA (contriving to reach a settee). Don't be silly, Ernest. If
you want to know how we are, we are dead. Even to think of
entertaining the servants is so exhausting.
CATHERINE (subsiding nearer the door). Besides which, we have had to
decide what frocks to take with us on the yacht, and that is such a
mental strain.
ERNEST. You poor over-worked things. (Evidently AGATHA is his
favourite, for he helps her to put her feet on the settee, while
CATHERINE has to dispose of her own feet.) Rest your weary limbs.
CATHERINE (perhaps in revenge). But why have you a footstool in your
hand?
AGATHA. Yes?
ERNEST. Why? (Brilliantly; but to be sure he has had time to think
it out.) You see, as the servants are to be the guests I must be
butler. I was practising. This is a tray, observe.
(Holding the footstool as a tray, he minces across the room like an
accomplished footman. The gods favour him, for just here LADY MARY
enters, and he holds out the footstool to her.)
Tea, my lady?
(LADY MARY is a beautiful creature of twenty-two, and is of a
natural hauteur which is at once the fury and the envy of her
sisters. If she chooses she can make you seem so insignificant that
you feel you might be swept away with the crumb-brush. She seldom
chooses, because of the trouble of preening herself as she does it;
she is usually content to show that you merely tire her eyes. She
often seems to be about to go to sleep in the middle of a remark:
there is quite a long and anxious pause, and then she continues,
like a clock that hesitates, bored in the middle of its strike.)
LADY MARY (arching her brows). It is only you, Ernest; I thought
there was some one here (and she also bestows herself on cushions).
ERNEST (a little piqued, and deserting the footstool). Had a very
tiring day also, Mary?
LADY MARY (yawning). Dreadfully. Been trying on engagement-rings all
the morning.
ERNEST (who is as fond of gossip as the oldest club member). What's
that? (To AGATHA.) Is it Brocklehurst?
(The energetic AGATHA nods.)
You have given your warm young heart to Brocky?
(LADY MARY is impervious to his humour, but he continues bravely.)
I don't wish to fatigue you, Mary, by insisting on a verbal answer,
but if, without straining yourself, you can signify Yes or No, won't
you make the effort?
(She indolently flashes a ring on her most important finger, and he
starts back melodramatically.)
The ring! Then I am too late, too late! (Fixing LADY MARY sternly,
like a prosecuting counsel.) May I ask, Mary, does Brocky know? Of
course, it was that terrible mother of his who pulled this through.
Mother does everything for Brocky. Still, in the eyes of the law you
will be, not her wife, but his, and, therefore, I hold that Brocky
ought to be informed. Now--
(He discovers that their languorous eyes have closed.)
If you girls are shamming sleep in the expectation that I shall
awaken you in the manner beloved of ladies, abandon all such hopes.
(CATHERINE and AGATHA look up without speaking.)
LADY MARY (speaking without looking up). You impertinent boy.
ERNEST (eagerly plucking another epigram from his quiver). I knew
that was it, though I don't know everything. Agatha, I'm not young
enough to know everything.
(He looks hopefully from one to another, but though they try to
grasp this, his brilliance baffles them.)
AGATHA (his secret admirer). Young enough?
ERNEST (encouragingly). Don't you see? I'm not young enough to know
everything.
AGATHA. I'm sure it's awfully clever, but it's so puzzling.
(Here CRICHTON ushers in an athletic, pleasant-faced young
clergyman, MR. TREHERNE, who greets the company.)
CATHERINE. Ernest, say it to Mr. Treherne.
ERNEST. Look here, Treherne, I'm not young enough to know
everything.
TREHERNE. How do you mean, Ernest?
ERNEST. (a little nettled). I mean what I say.
LADY MARY. Say it again; say it more slowly.
ERNEST. I'm--not--young--enough--to--know--everything.
TREHERNE. I see. What you really mean, my boy, is that you are not
old enough to know everything.
ERNEST. No, I don't.
TREHERNE. I assure you that's it.
LADY MARY. Of course it is.
CATHERINE. Yes, Ernest, that's it.
(ERNEST, in desperation, appeals to CRICHTON.)
ERNEST. I am not young enough, Crichton, to know everything.
(It is an anxious moment, but a smile is at length extorted from
CRICHTON as with a corkscrew.)
CRICHTON. Thank you, sir. (He goes.)
ERNEST (relieved). Ah, if you had that fellow's head, Treherne, you
would find something better to do with it than play cricket. I hear
you bowl with your head.
TREHERNE (with proper humility). I'm afraid cricket is all I'm good
for, Ernest.
CATHERINE (who thinks he has a heavenly nose). Indeed, it isn't. You
are sure to get on, Mr. Treherne.
TREHERNE. Thank you, Lady Catherine.
CATHERINE. But it was the bishop who told me so. He said a clergyman
who breaks both ways is sure to get on in England.
TREHERNE. I'm jolly glad.
(The master of the house comes in, accompanied by LORD BROCKLEHURST.
The EARL OF LOAM is a widower, a philanthropist, and a peer of
advanced ideas. As a widower he is at least able to interfere in the
domestic concerns of his house--to rummage in the drawers, so to
speak, for which he has felt an itching all his blameless life; his
philanthropy has opened quite a number of other drawers to him; and
his advanced ideas have blown out his figure. He takes in all the
weightiest monthly reviews, and prefers those that are uncut,
because he perhaps never looks better than when cutting them; but he
does not read them, and save for the cutting it would suit him as
well merely to take in the covers. He writes letters to the papers,
which are printed in a type to scale with himself, and he is very
jealous of those other correspondents who get his type. Let laws and
learning, art and commerce die, but leave the big type to an
intellectual aristocracy. He is really the reformed House of Lords
which will come some day.
Young LORD BROCKLEHURST is nothing save for his rank. You could pick
him up by the handful any day in Piccadilly or Holborn, buying
socks--or selling them.)
LORD LOAM (expansively). You are here, Ernest. Feeling fit for the
voyage, Treherne?
TREHERNE. Looking forward to it enormously.
LORD LOAM. That's right. (He chases his children about as if they
were chickens.) Now then, Mary, up and doing, up and doing. Time we
had the servants in. They enjoy it so much.
LADY MARY. They hate it.
LORD LOAM. Mary, to your duties. (And he points severely to the tea-
table.)
ERNEST (twinkling). Congratulations, Brocky.
LORD BROCKLEHURST (who detests humour). Thanks.
ERNEST. Mother pleased?
LORD BROCKLEHURST (with dignity). Mother is very pleased.
ERNEST. That's good. Do you go on the yacht with us?
LORD BROCKLEHURST. Sorry I can't. And look here, Ernest, I will not
be called Brocky.
ERNEST. Mother don't like it?
LORD BROCKLEHURST. She does not. (He leaves ERNEST, who forgives him
and begins to think about his speech. CRICHTON enters.)
LORD LOAM (speaking as one man to another). We are quite ready,
Crichton. (CRICHTON is distressed.)
LADY MARY (sarcastically). How Crichton enjoys it!
LORD LOAM (frowning). He is the only one who doesn't; pitiful
creature.
CRICHTON (shuddering under his lord's displeasure). I can't help
being a Conservative, my lord.
LORD LOAM. Be a man, Crichton. You are the same flesh and blood as
myself.
CRICHTON (in pain). Oh, my lord!
LORD LOAM (sharply). Show them in; and, by the way, they were not
all here last time.
CRICHTON. All, my lord, except the merest trifles.
LORD LOAM. It must be every one. (Lowering.) And remember this,
Crichton, for the time being you are my equal. (Testily.) I shall
soon show you whether you are not my equal. Do as you are told.
(CRICHTON departs to obey, and his lordship is now a general. He has
no pity for his daughters, and uses a terrible threat.)
And girls, remember, no condescension. The first who condescends
recites. (This sends them skurrying to their labours.)
By the way, Brocklehurst, can you do anything?
LORD BROCKLEHURST. How do you mean?
LORD LOAM. Can you do anything--with a penny or a handkerchief, make
them disappear, for instance?
LORD BROCKLEHURST. Good heavens, no.
LORD LOAM. It's a pity. Every one in our position ought to be able
to do something. Ernest, I shall probably ask you to say a few
words; something bright and sparkling.
ERNEST. But, my dear uncle, I have prepared nothing.
LORD LOAM. Anything impromptu will do.
ERNEST. Oh--well--if anything strikes me on the spur of the moment.
(He unostentatiously gets the footstool into position behind the
chair. CRICHTON reappears to announce the guests, of whom the first
is the housekeeper.)
CRICHTON (reluctantly). Mrs. Perkins.
LORD LOAM (shaking hands). Very delighted, Mrs. Perkins. Mary, our
friend, Mrs. Perkins.
LADY MARY. How do you do, Mrs. Perkins? Won't you sit here?
LORD LOAM (threateningly). Agatha!
AGATHA (hastily). How do you do? Won't you sit down?
LORD LOAM (introducing). Lord Brocklehurst--my valued friend, Mrs.
Perkins.
(LORD BROCKLEHURST bows and escapes. He has to fall back on ERNEST.)
LORD BROCKLEHURST. For heaven's sake, Ernest, don't leave me for a
moment; this sort of thing is utterly opposed to all my principles.
ERNEST (airily). You stick to me, Brocky, and I'll pull you through.
CRICHTON. Monsieur Fleury.
ERNEST. The chef.
LORD LOAM (shaking hands with the chef). Very charmed to see you,
Monsieur Fleury.
FLEURY. Thank you very much.
(FLEURY bows to AGATHA, who is not effusive.)
LORD LOAM (warningly). Agatha--recitation!
(She tosses her head, but immediately finds a seat and tea for M.
FLEURY. TREHERNE and ERNEST move about, making themselves amiable.
LADY MARY is presiding at the tea-tray.)
CRICHTON. Mr. Rolleston.
LORD LOAM (shaking hands with his valet). How do you do, Rolleston?
(CATHERINE looks after the wants of ROLLESTON.)
CRICHTON. Mr. Tompsett.
(TOMPSETT, the coachman, is received with honours, from which he
shrinks.)
CRICHTON. Miss Fisher.
(This superb creature is no less than LADY MARY'S maid, and even
LORD LOAM is a little nervous.)
LORD LOAM. This is a pleasure, Miss Fisher.
ERNEST (unabashed). If I might venture, Miss Fisher (and he takes
her unto himself).
CRICHTON. Miss Simmons.
LORD LOAM (to CATHERINE'S maid). You are always welcome, Miss
Simmons.
ERNEST (perhaps to kindle jealousy in Miss FISHER). At last we meet.
Won't you sit down?
CRICHTON. Mademoiselle Jeanne.
LORD LOAM. Charmed to see you, Mademoiselle Jeanne.
(A place is found for AGATHA'S maid, and the scene is now an
animated one; but still our host thinks his girls are not
sufficiently sociable. He frowns on LADY MARY.)
LADY MARY (in alarm). Mr. Treherne, this is Fisher, my maid.
LORD LOAM (sharply). Your what, Mary?
LADY MARY. My friend.
CRICHTON. Thomas.
LORD LOAM. How do you do, Thomas?
(The first footman gives him a reluctant hand.)
CRICHTON. John.
LORD LOAM. How do you do, John?
(ERNEST signs to LORD BROCKLEHURST, who hastens to him.)
ERNEST (introducing). Brocklehurst, this is John. I think you have
already met on the door-step.
CRICHTON. Jane.
(She comes, wrapping her hands miserably in her apron.)
LORD LOAM (doggedly). Give me your hand, Jane.
CRICHTON. Gladys.
ERNEST. How do you do, Gladys. You know my uncle?
LORD LOAM. Your hand, Gladys.
(He bestows her on AGATHA.)
CRICHTON. Tweeny.
(She is a very humble and frightened kitchenmaid, of whom we are to
see more.)
LORD LOAM. So happy to see you.
FISHER. John, I saw you talking to Lord Brocklehurst just now;
introduce me.
LORD BROCKLEHURST (at the same moment to ERNEST). That's an uncommon
pretty girl; if I must feed one of them, Ernest, that's the one.
(But ERNEST tries to part him and FISHER as they are about to shake
hands.)
ERNEST. No you don't, it won't do, Brocky. (To Miss FISHER.) You are
too pretty, my dear. Mother wouldn't like it. (Discovering TWEENY.)
Here's something safer. Charming girl, Brocky, dying to know you;
let me introduce you. Tweeny, Lord Brocklehurst--Lord Brocklehurst,
Tweeny.
(BROCKLEHURST accepts his fate; but he still has an eye for FISHER,
and something may come of this.)
LORD LOAM (severely). They are not all here, Crichton.
CRICHTON (with a sigh). Odds and ends.
(A STABLE-BOY and a PAGE are shown in, and for a moment no daughter
of the house advances to them.)
LORD LOAM (with a roving eye on his children). Which is to recite?
(The last of the company are, so to say, embraced.)
LORD LOAM (to TOMPSETT, as they partake of tea together). And how
are all at home?
TOMPSETT. Fairish, my lord, if 'tis the horses you are inquiring
for?
LORD LOAM. No, no, the family. How's the baby?
TOMPSETT. Blooming, your lordship.
LORD LOAM. A very fine boy. I remember saying so when I saw him;
nice little fellow.
TOMPSETT (not quite knowing whether to let it pass). Beg pardon, my
lord, it's a girl.
LORD LOAM. A girl? Aha! ha! ha! exactly what I said. I distinctly
remember saying, If it's spared it will be a girl.
(CRICHTON now comes down.)
LORD LOAM. Very delighted to see you, Crichton.
(CRICHTON has to shake hands.)
Mary, you know Mr. Crichton?
(He wanders off in search of other prey.)
LADY MARY. Milk and sugar, Crichton?
CRICHTON. I'm ashamed to be seen talking to you, my lady.
LADY MARY. To such a perfect servant as you all this must be most
distasteful. (CRICHTON is too respectful to answer.) Oh, please do
speak, or I shall have to recite. You do hate it, don't you?
CRICHTON. It pains me, your ladyship. It disturbs the etiquette of
the servants' hall. After last month's meeting the pageboy, in a
burst of equality, called me Crichton. He was dismissed.
LADY MARY. I wonder--I really do--how you can remain with us.
CRICHTON. I should have felt compelled to give notice, my lady, if
the master had not had a seat in the Upper House. I cling to that.
LADY MARY. Do go on speaking. Tell me, what did Mr. Ernest mean by
saying he was not young enough to know everything?
CRICHTON. I have no idea, my lady.
LADY MARY. But you laughed.
CRICHTON. My lady, he is the second son of a peer.
LADY MARY. Very proper sentiments. You are a good soul, Crichton.
LORD BROCKLEHURST (desperately to TWEENY). And now tell me, have you
been to the Opera? What sort of weather have you been having in the
kitchen? (TWEENY gurgles.) For Heaven's sake, woman, be articulate.
CRICHTON (still talking to LADY MARY). No, my lady; his lordship may
compel us to be equal upstairs, but there will never be equality in
the servants' hall.
LORD LOAM (overhearing this). What's that? No equality? Can't you
see, Crichton, that our divisions into classes are artificial, that
if we were to return to nature, which is the aspiration of my life,
all would be equal?
CRICHTON. If I may make so bold as to contradict your lordship--
LORD LOAM (with an effort). Go on.
CRICHTON. The divisions into classes, my lord, are not artificial.
They are the natural outcome of a civilised society. (To LADY MARY.)
There must always be a master and servants in all civilised
communities, my lady, for it is natural, and whatever is natural is
right.
LORD LOAM (wincing). It is very unnatural for me to stand here and
allow you to talk such nonsense.
CRICHTON (eagerly). Yes, my lord, it is. That is what I have been
striving to point out to your lordship.
AGATHA (to CATHERINE). What is the matter with Fisher? She is
looking daggers.
CATHERINE. The tedious creature; some question of etiquette, I
suppose.
(She sails across to FISHER.)
How are you, Fisher?
FISHER (with a toss of her head). I am nothing, my lady, I am
nothing at all.
AGATHA. Oh dear, who says so?
FISHER (affronted). His lordship has asked that kitchen wench to
have a second cup of tea.
CATHERINE. But why not?
FISHER. If it pleases his lordship to offer it to her before
offering it to me--
AGATHA. So that is it. Do you want another cup of tea, Fisher?
FISHER. No, my lady--but my position--I should have been asked
first.
AGATHA. Oh dear.
(All this has taken some time, and by now the feeble appetites of
the uncomfortable guests have been satiated. But they know there is
still another ordeal to face--his lordship's monthly speech. Every
one awaits it with misgiving--the servants lest they should applaud,
as last time, in the wrong place, and the daughters because he may
be personal about them, as the time before. ERNEST is annoyed that
there should be this speech at all when there is such a much better
one coming, and BROCKLEHURST foresees the degradation of the
peerage. All are thinking of themselves alone save CRICHTON, who
knows his master's weakness, and fears he may stick in the middle.
LORD LOAM, however, advances cheerfully to his doom. He sees
ERNEST'S stool, and artfully stands on it, to his nephew's natural
indignation. The three ladies knit their lips, the servants look
down their noses, and the address begins.)
LORD LOAM. My friends, I am glad to see you all looking so happy. It
used to be predicted by the scoffer that these meetings would prove
distasteful to you. Are they distasteful? I hear you laughing at the
question.
(He has not heard them, but he hears them now, the watchful CRICHTON
giving them a lead.)
No harm in saying that among us to-day is one who was formerly
hostile to the movement, but who to-day has been won over. I refer
to Lord Brocklehurst, who, I am sure, will presently say to me that
if the charming lady now by his side has derived as much pleasure
from his company as he has derived from hers, he will be more than
satisfied.
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