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Watchers of the Sky

A >> Alfred Noyes >> Watchers of the Sky

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Produced by Beth L. Constantine, Juliet Sutherland, Charles Franks
and the Online Distributed Proofreading Team.




THE TORCH-BEARERS


WATCHERS OF THE SKY



BY

ALFRED NOYES




PREFATORY NOTE

This volume, while it is complete in itself, is also the first of a
trilogy, the scope of which is suggested in the prologue. The story of
scientific discovery has its own epic unity--a unity of purpose and
endeavour--the single torch passing from hand to hand through the
centuries; and the great moments of science when, after long labour,
the pioneers saw their accumulated facts falling into a significant
order--sometimes in the form of a law that revolutionised the whole
world of thought--have an intense human interest, and belong
essentially to the creative imagination of poetry. It is with these
moments that my poem is chiefly concerned, not with any impossible
attempt to cover the whole field or to make a new poetic system, after
the Lucretian model, out of modern science.

The theme has been in my mind for a good many years; and the first
volume, dealing with the "Watchers of the Sky," began to take definite
shape during what was to me an unforgettable experience--the night I
was privileged to spend on a summit of the Sierra Madre Mountains,
when the first trial was made of the new 100-inch telescope. The
prologue to this volume attempts to give a picture of that night, and
to elucidate my own purpose.

The first tale in this volume plunges into the middle of things, with
the revolution brought about by Copernicus; but, within the tale,
partly by means of an incidental lyric, there is an attempt to give a
bird's-eye view of what had gone before. The torch then passes to
Tycho Brahe, who, driven into exile with his tables of the stars, at
the very point of death hands them over to a young man named Kepler.
Kepler, with their help, arrives at his own great laws, and
corresponds with Galileo--the intensely human drama of whose life I
have endeavoured to depict with more historical accuracy than can be
attributed to much of the poetic literature that has gathered around
his name. Too many writers have succumbed to the temptation of the
cry, "e pur si muove!" It is, of course, rejected by every reliable
historian, and was first attributed to Galileo a hundred years after
his death. M. Ponsard, in his play on the subject, succumbed to the
extent of making his final scene end with Galileo "frappant du pied la
terre," and crying, "pourtant elle tourne." Galileo's recantation was
a far more subtle and tragically complicated affair than that. Even
Landor succumbed to the easy method of making him display his entirely
legendary scars to Milton. If these familiar pictures are not to be
found in my poem, it may be well for me to assure the hasty reader
that it is because I have endeavoured to present a more just picture.
I have tried to suggest the complications of motive in this section by
a series of letters passing between the characters chiefly concerned.
There was, of course, a certain poetic significance in the legend of
"e pur si muove"; and this significance I have endeavoured to retain
without violating historical truth.

In the year of Galileo's death Newton was born, and the subsequent
sections carry the story on to the modern observatory again. The form
I have adopted is a development from that of an earlier book,
"_Tales of the Mermaid Tavern_" where certain poets and
discoverers of another kind were brought together round a central
idea, and their stories told in a combination of narrative and lyrical
verse. "The Torch-Bearers" flowed all the more naturally into a
similar form in view of the fact that Tycho Brahe, Kepler, and many
other pioneers of science wrote a considerable number of poems.
Those imbedded in the works of Kepler--whose blazing and fantastic
genius was, indeed, primarily poetic--are of extraordinary interest. I
was helped, too, in the general scheme by those constant meetings
between science and poetry, of which the most famous and beautiful are
the visit of Sir Henry Wotton to Kepler, and the visit of Milton to
Galileo in prison.

Even if science and poetry were as deadly opposites as the shallow
often affirm, the method and scheme indicated above would at least
make it possible to convey something of the splendour of the long
battle for the light in its most human aspect. Poetry has its own
precision of expression and, in modern times, it has been seeking more
and more for truth, sometimes even at the expense of beauty. It may be
possible to carry that quest a stage farther, to the point where, in
the great rhythmical laws of the universe revealed by science, truth
and beauty are reunited. If poetry can do this, it will not be without
some value to science itself, and it will be playing its part in the
reconstruction of a shattered world. The passing of the old order of
dogmatic religion has left the modern world in a strange chaos,
craving for something in which it can unfeignedly believe, and often
following will-o'-the-wisps. Forty years ago, Matthew Arnold
prophesied that it would be for poetry, "where it is worthy of its
high destinies," to help to carry on the purer fire, and to express in
new terms those eternal ideas which must ever be the only sure stay of
the human race. It is not within the province of science to attempt a
post-Copernican justification of the ways of God to man; but, in the
laws of nature revealed by science, and in "that grand sequence of
events which"--as Darwin affirmed--"the mind refuses to accept as the
result of blind chance," poetry may discover its own new grounds for
the attempt. It is easy to assume that all hope and faith are shallow.
It is even easier to practise a really shallow and devitalising
pessimism. The modern annunciation that there is a skeleton an inch
beneath the skin of man is neither new nor profound. Neither science
nor poetry can rest there; and if, in this poem, an attempt is made to
show that spiritual values are not diminished or overwhelmed by the
"fifteen hundred universes" that passed in review before the telescope
of Herschel, it is only after the opposite argument--so common and so
easy to-day--has been faced; and only after poetry has at least
endeavoured to follow the torch of science to its own deep-set
boundary-mark in that immense darkness of Space and Time.




CONTENTS


Prologue

I. Copernicus

II. Tycho Brahe

III. Kepler

IV. Galileo

V. Newton

VI. William Herschel Conducts

VII. Sir John Herschel Remembers

Epilogue




PROLOGUE

THE OBSERVATORY


At noon, upon the mountain's purple height,
Above the pine-woods and the clouds it shone
No larger than the small white dome of shell
Left by the fledgling wren when wings are born.
By night it joined the company of heaven,
And, with its constant light, became a star.
A needle-point of light, minute, remote,
It sent a subtler message through the abyss,
Held more significance for the seeing eye
Than all the darkness that would blot it out,
Yet could not dwarf it.
High in heaven it shone,
Alive with all the thoughts, and hopes, and dreams
Of man's adventurous mind.
Up there, I knew
The explorers of the sky, the pioneers
Of science, now made ready to attack
That darkness once again, and win new worlds.
To-morrow night they hoped to crown the toil
Of twenty years, and turn upon the sky
The noblest weapon ever made by man.
War had delayed them. They had been drawn away
Designing darker weapons. But no gun
Could outrange this.

"To-morrow night"--so wrote their chief--"we try
Our great new telescope, the hundred-inch.
Your Milton's 'optic tube' has grown in power
Since Galileo, famous, blind, and old,
Talked with him, in that prison, of the sky.
We creep to power by inches. Europe trusts
Her 'giant forty' still. Even to-night
Our own old sixty has its work to do;
And now our hundred-inch . . . I hardly dare
To think what this new muzzle of ours may find.
Come up, and spend that night among the stars
Here, on our mountain-top. If all goes well,
Then, at the least, my friend, you'll see a moon
Stranger, but nearer, many a thousand mile
Than earth has ever seen her, even in dreams.
As for the stars, if seeing them were all,
Three thousand million new-found points of light
Is our rough guess. But never speak of this.
You know our press. They'd miss the one result
To flash 'three thousand millions' round the world."
To-morrow night! For more than twenty years,
They had thought and planned and worked. Ten years had gone,
One-fourth, or more, of man's brief working life,
Before they made those solid tons of glass,
Their hundred-inch reflector, the clear pool,
The polished flawless pool that it must be
To hold the perfect image of a star.
And, even now, some secret flaw--none knew
Until to-morrow's test--might waste it all.
Where was the gambler that would stake so much,--
Time, patience, treasure, on a single throw?
The cost of it,--they'd not find that again,
Either in gold or life-stuff! All their youth
Was fuel to the flame of this one work.
Once in a lifetime to the man of science,
Despite what fools believe his ice-cooled blood,
There comes this drama.
If he fails, he fails
Utterly. He at least will have no time
For fresh beginnings. Other men, no doubt,
Years hence, will use the footholes that he cut
In those precipitous cliffs, and reach the height,
But he will never see it."
So for me,
The light words of that letter seemed to hide
The passion of a lifetime, and I shared
The crowning moment of its hope and fear.
Next day, through whispering aisles of palm we rode
Up to the foot-hills, dreaming desert-hills
That to assuage their own delicious drought
Had set each tawny sun-kissed slope ablaze
With peach and orange orchards.
Up and up,
Along the thin white trail that wound and climbed
And zig-zagged through the grey-green mountain sage,
The car went crawling, till the shining plain
Below it, like an airman's map, unrolled.
Houses and orchards dwindled to white specks
In midget cubes and squares of tufted green.
Once, as we rounded one steep curve, that made
The head swim at the canyoned gulf below,
We saw through thirty miles of lucid air
Elvishly small, sharp as a crumpled petal
Blown from the stem, a yard away, a sail
Lazily drifting on the warm blue sea.
Up for nine miles along that spiral trail
Slowly we wound to reach the lucid height
Above the clouds, where that white dome of shell,
No wren's now, but an eagle's, took the flush
Of dying day. The sage-brush all died out,
And all the southern growths, and round us now,
Firs of the north, and strong, storm-rooted pines
Exhaled a keener fragrance; till, at last,
Reversing all the laws of lesser hills,
They towered like giants round us. Darkness fell
Before we reached the mountain's naked height.

Over us, like some great cathedral dome,
The observatory loomed against the sky;
And the dark mountain with its headlong gulfs
Had lost all memory of the world below;
For all those cloudless throngs of glittering stars
And all those glimmerings where the abyss of space
Is powdered with a milky dust, each grain
A burning sun, and every sun the lord
Of its own darkling planets,--all those lights
Met, in a darker deep, the lights of earth,
Lights on the sea, lights of invisible towns,
Trembling and indistinguishable from stars,
In those black gulfs around the mountain's feet.
Then, into the glimmering dome, with bated breath,
We entered, and, above us, in the gloom
Saw that majestic weapon of the light
Uptowering like the shaft of some huge gun
Through one arched rift of sky.
Dark at its base
With naked arms, the crew that all day long
Had sweated to make ready for this night
Waited their captain's word.
The switchboard shone
With elfin lamps of white and red, and keys
Whence, at a finger's touch, that monstrous tube
Moved like a creature dowered with life and will,
To peer from deep to deep.
Below it pulsed
The clock-machine that slowly, throb by throb,
Timed to the pace of the revolving earth,
Drove the titanic muzzle on and on,
Fixed to the chosen star that else would glide
Out of its field of vision.
So, set free
Balanced against the wheel of time, it swung,
Or rested, while, to find new realms of sky
The dome that housed it, like a moon revolved,
So smoothly that the watchers hardly knew
They moved within; till, through the glimmering doors,
They saw the dark procession of the pines
Like Indian warriors, quietly stealing by.

Then, at a word, the mighty weapon dipped
Its muzzle and aimed at one small point of light
One seeming insignificant star.
The chief,
Mounting the ladder, while we held our breath,
Looked through the eye-piece.
Then we heard him laugh
His thanks to God, and hide it in a jest.
"A prominence on Jupiter!"--
They laughed,
"What do you mean?"--"It's moving," cried the chief,
They laughed again, and watched his glimmering face
High overhead against that moving tower.
"Come up and see, then!"
One by one they went,
And, though each laughed as he returned to earth,
Their souls were in their eyes.
Then I, too, looked,
And saw that insignificant spark of light
Touched with new meaning, beautifully reborn,
A swimming world, a perfect rounded pearl,
Poised in the violet sky; and, as I gazed,
I saw a miracle,--right on its upmost edge
A tiny mound of white that slowly rose,
Then, like an exquisite seed-pearl, swung quite clear
And swam in heaven above its parent world
To greet its three bright sister-moons.
A moon,
Of Jupiter, no more, but clearer far
Than mortal eyes had seen before from earth,
O, beautiful and clear beyond all dreams
Was that one silver phrase of the starry tune
Which Galileo's "old discoverer" first
Dimly revealed, dissolving into clouds
The imagined fabric of our universe.
_"Jupiter stands in heaven and will stand
Though all the sycophants bark at him,"_ he cried,
Hailing the truth before he, too, went down,
Whelmed in the cloudy wreckage of that dream.

So one by one we looked, the men who served
Urania, and the men from Vulcan's forge.
A beautiful eagerness in the darkness lit
The swarthy faces that too long had missed
A meaning in the dull mechanic maze
Of labour on this blind earth, but found it now.
Though only a moment's wandering melody
Hopelessly far above, it gave their toil
Its only consecration and its joy.
There, with dark-smouldering eyes and naked throats,
Blue-dungareed, red-shirted, grimed and smeared
With engine-grease and sweat, they gathered round
The foot of that dim ladder; each muttering low
As he came down, his wonder at what he saw
To those who waited,--a picture for the brush
Of Rembrandt, lighted only by the rift
Above them, where the giant muzzle thrust
Out through the dim arched roof, and slowly throbbed,
Against the slowly moving wheel of the earth,
Holding their chosen star.
There, like an elf,
Perched on the side of that dark slanting tower
The Italian mechanician watched the moons,
That Italy discovered.
One by one,
American, English, French, and Dutch, they climbed
To see the wonder that their own blind hands
Had helped to achieve.
At midnight while they paused
To adjust the clock-machine, I wandered out
Alone, into the silence of the night.
The silence? On that lonely height I heard
Eternal voices;
For, as I looked into the gulf beneath,
Whence almost all the lights had vanished now,
The whole dark mountain seemed to have lost its earth
And to be sailing like a ship through heaven.
All round it surged the mighty sea-like sound
Of soughing pine-woods, one vast ebb and flow
Of absolute peace, aloof from all earth's pain,
So calm, so quiet, it seemed the cradle-song,
The deep soft breathing of the universe
Over its youngest child, the soul of man.
And, as I listened, that Aeolian voice
Became an invocation and a prayer:
O you, that on your loftier mountain dwell
And move like light in light among the thoughts
Of heaven, translating our mortality
Into immortal song, is there not one
Among you that can turn to music now
This long dark fight for truth? Not one to touch
With beauty this long battle for the light,
This little victory of the spirit of man
Doomed to defeat--for what was all we saw
To that which neither eyes nor soul could see?--
Doomed to defeat and yet unconquerable,
Climbing its nine miles nearer to the stars.
Wars we have sung. The blind, blood-boltered kings
Move with an epic music to their thrones.
Have you no song, then, of that nobler war?
Of those who strove for light, but could not dream
Even of this victory that they helped to win,
Silent discoverers, lonely pioneers,
Prisoners and exiles, martyrs of the truth
Who handed on the fire, from age to age;
Of those who, step by step, drove back the night
And struggled, year on year, for one more glimpse
Among the stars, of sovran law, their guide;
Of those who searching inward, saw the rocks
Dissolving into a new abyss, and saw
Those planetary systems far within,
Atoms, electrons, whirling on their way
To build and to unbuild our solid world;
Of those who conquered, inch by difficult inch,
The freedom of this realm of law for man;
Dreamers of dreams, the builders of our hope,
The healers and the binders up of wounds,
Who, while the dynasts drenched the world with blood,
Would in the still small circle of a lamp
Wrestle with death like Heracles of old
To save one stricken child.
Is there no song
To touch this moving universe of law
With ultimate light, the glimmer of that great dawn
Which over our ruined altars yet shall break
In purer splendour, and restore mankind
From darker dreams than even Lucretius knew
To vision of that one Power which guides the world.
How should men find it? Only through those doors
Which, opening inward, in each separate soul
Give each man access to that Soul of all
Living within each life, not to be found
Or known, till, looking inward, each alone
Meets the unknowable and eternal God.

And there was one that moved like light in light
Before me there,--Love, human and divine,
That can exalt all weakness into power,--
Whispering, _Take this deathless torch of song_...
Whispering, but with such faith, that even I
Was humbled into thinking this might be
Through love, though all the wisdom of the world
Account it folly.
Let my breast be bared
To every shaft, then, so that Love be still
My one celestial guide the while I sing
Of those who caught the pure Promethean fire
One from another, each crying as he went down
To one that waited, crowned with youth and joy,--
_Take thou the splendour, carry it out of sight
Into the great new age I must not know,
Into the great new realm I must not tread_.




I

COPERNICUS


The neighbours gossiped idly at the door.
Copernicus lay dying overhead.
His little throng of friends, with startled eyes,
Whispered together, in that dark house of dreams,
From which by one dim crevice in the wall
He used to watch the stars.
"His book has come
From Nuremberg at last; but who would dare
To let him see it now?"--
"They have altered it!
Though Rome approved in full, this preface, look,
Declares that his discoveries are a dream!"--
"He has asked a thousand times if it has come;
Could we tear out those pages?"--
"He'd suspect."--
"What shall be done, then?"--
"Hold it back awhile.
That was the priest's voice in the room above.
He may forget it. Those last sacraments
May set his mind at rest, and bring him peace."--
Then, stealing quietly to that upper door,
They opened it a little, and saw within
The lean white deathbed of Copernicus
Who made our world a world without an end.
There, in that narrow room, they saw his face
Grey, seamed with thought, lit by a single lamp;
They saw those glorious eyes
Closing, that once had looked beyond the spheres
And seen our ancient firmaments dissolve
Into a boundless night.
Beside him knelt
Two women, like bowed shadows. At his feet,
An old physician watched him. At his head,
The cowled Franciscan murmured, while the light
Shone faintly on the chalice.
All grew still.
The fragrance of the wine was like faint flowers,
The first breath of those far celestial fields....

Then, like a dying soldier, that must leave
His last command to others, while the fight
Is yet uncertain, and the victory far,
Copernicus whispered, in a fevered dream,
"Yes, it is Death. But you must hold him back,
There, in the doorway, for a little while,
Until I know the work is rightly done.
Use all your weapons, doctor. I must live
To see and touch one copy of my book.
Have they not brought it yet?
They promised me
It should be here by nightfall.
One of you go
And hasten it. I can hold back
Death till dawn.

Have they not brought it yet?--from Nuremberg.
Do not deceive me. I must know it safe,
Printed and safe, for other men to use.
I could die then. My use would be fulfilled.
What has delayed them? Will not some one go
And tell them that my strength is running out?
Tell them that book would be an angel's hand
In mine, an easier pillow for my head,
A little lantern in the engulfing dark.
You see, I hid its struggling light so long
Under too small a bushel, and I fear
It may go out forever. In the noon
Of life's brief day, I could not see the need
As now I see it, when the night shuts down.
I was afraid, perhaps, it might confuse
The lights that guide us for the souls of men.

But now I see three stages in our life.
At first, we bask contented in our sun
And take what daylight shows us for the truth.
Then we discover, in some midnight grief,
How all day long the sunlight blinded us
To depths beyond, where all our knowledge dies.
That's where men shrink, and lose their way in doubt.
Then, last, as death draws nearer, comes a night
In whose majestic shadow men see God,
Absolute Knowledge, reconciling all.
So, all my life I pondered on that scheme
Which makes this earth the centre of all worlds,
Lighted and wheeled around by sun and moon
And that great crystal sphere wherein men thought
Myriads of lesser stars were fixed like lamps,
Each in its place,--one mighty glittering wheel
Revolving round this dark abode of man.
Night after night, with even pace they moved.
Year after year, not altering by one point,
Their order, or their stations, those fixed stars
In that revolving firmament. The Plough
Still pointed to the Pole. Fixed in their sphere,
How else explain that vast unchanging wheel?
How, but by thinking all those lesser lights
Were huger suns, divided from our earth
By so immense a gulf that, if they moved
Ten thousand leagues an hour among themselves,
It would not seem one hair's-breadth to our eyes.
Utterly inconceivable, I know;
And yet we daily kneel to boundless Power
And build our hope on that Infinitude.

This did not daunt me, then. Indeed, I saw
Light upon chaos. Many discordant dreams
Began to move in lucid music now.
For what could be more baffling than the thought
That those enormous heavens must circle earth
Diurnally--a journey that would need
Swiftness to which the lightning flash would seem
A white slug creeping on the walls of night;
While, if earth softly on her axle spun
One quiet revolution answered all.
It was our moving selves that made the sky
Seem to revolve. Have not all ages seen
A like illusion baffling half mankind
In life, thought, art? Men think, at every turn
Of their own souls, the very heavens have moved.

Light upon chaos, light, and yet more light;
For--as I watched the planets--Venus, Mars,
Appeared to wax and wane from month to month
As though they moved, now near, now far, from earth.
Earth could not be their centre. Was the sun
Their sovran lord then, as Pythagoras held?
Was this great earth, so 'stablished, so secure,
A planet also? Did it also move
Around the sun? If this were true, my friends,
No revolution in this world's affairs,
Not that blind maelstrom where imperial Rome
Went down into the dark, could so engulf
All that we thought we knew. We who believed
In our own majesty, we who walked with gods
As younger sons on this proud central stage,
Round which the whole bright firmament revolved
For our especial glory, must we creep
Like ants upon our midget ball of dust
Lost in immensity?
I could not take
That darkness lightly. I withheld my book
For many a year, until I clearly saw,
And Rome approved me--have they not brought it yet?--
That this tremendous music could not drown
The still supernal music of the soul,
Or quench the light that shone when Christ was born.
For who, if one lost star could lead the kings
To God's own Son, would shrink from following these
To His eternal throne?
This at the least
We know, the soul of man can soar through heaven.
It is our own wild wings that dwarf the world
To nothingness beneath us. Let the soul
Take courage, then. If its own thought be true,
Not all the immensities of little minds
Can ever quench its own celestial fire.
No. This new night was needed, that the soul
Might conquer its own kingdom and arise
To its full stature. So, in face of death,
I saw that I must speak the truth I knew.

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